{"id":2617,"date":"2015-09-17T12:22:48","date_gmt":"2015-09-17T12:22:48","guid":{"rendered":"https:\/\/fundacionporlajusticia.accesia.info\/?page_id=1096"},"modified":"2022-03-21T16:04:01","modified_gmt":"2022-03-21T16:04:01","slug":"maidan","status":"publish","type":"page","link":"https:\/\/fundacionporlajusticia.org\/va\/humansfest\/2016-vii-edicion\/seccion-oficial-fuera-de-concurso\/maidan\/","title":{"rendered":"MAIDAN"},"content":{"rendered":"<table>\n<tbody>\n<tr>\n<td width=\"206\">\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1311 size-medium\" src=\"https:\/\/fundacionporlajusticia.org\/wp-content\/uploads\/2015\/09\/MAIDAN2-186x300.jpg\" alt=\"MAIDAN\" width=\"186\" height=\"300\" \/><\/td>\n<td width=\"376\">\n<h1><strong>HISTORY<\/strong><\/h1>\n<p><strong>\u00a0<\/strong><\/p>\n<p style=\"text-align: justify;\">Maidan no \u00e9s l&#039;est\u00e0ndard period\u00edstic report sobre civils rierols a K\u00edev&#039;s Maidan quadern per a overthrow pro-Russian President Viktor Yanukovych. Structured solely through extended fixed shots filmed over period of three months, the film tracks the trajectory from peaceful poetry-filled protest to violent confrontation with formalist rigor. By placing viewer en midst of masses sense guideposts of expert comentaris o central personalities, Maidan proveeix an immersive experi\u00e8ncia i bracing i timeless portr\u00e9t de protesta i revoluci\u00f3.<\/p>\n<p>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td rowspan=\"2\" width=\"206\">\n<h2><strong>Thursday, 17 th december 18.00 h.<\/strong><\/h2>\n<h4><strong style=\"font-family: inherit; font-size: inherit; line-height: 1.5;\">Title: <\/strong><span style=\"font-family: inherit; font-size: inherit; line-height: 1.5;\">Maidan<\/span><\/h4>\n<h4><strong>128 min.<\/strong><\/h4>\n<h4><strong>Ukranie and Netherlands, 2014<\/strong><\/h4>\n<h4><strong>Languages:<\/strong><br \/>\nUkrainian<br \/>\nRussian<\/h4>\n<h4><strong>Director:<\/strong><\/h4>\n<h4>Sergei Loznitsa<\/h4>\n<h4><strong>Photography:<\/strong><\/h4>\n<h4>Sergei Loznitsa<\/h4>\n<h4>Serhiy Stetsenko<\/h4>\n<h4><strong>Camera:<\/strong><\/h4>\n<h4>Mykhailo Yelchev<\/h4>\n<h4><strong>Edition:<\/strong><\/h4>\n<h4>Sergei Loznitsa<\/h4>\n<h4>Danielius Kokanauskis<\/h4>\n<h4><strong>Sound:<\/strong><\/h4>\n<h4>Vladimir Golovnitski<\/h4>\n<h4><strong>Coproducci\u00f3:<\/strong><\/h4>\n<h4>Atoms &amp; Void<\/h4>\n<\/td>\n<td width=\"376\">\n<h1><strong>DIRECTOR<\/strong><\/h1>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1851 size-thumbnail\" src=\"https:\/\/fundacionporlajusticia.org\/wp-content\/uploads\/2015\/09\/loznitsa-150x150.jpg\" alt=\"loznitsa\" width=\"150\" height=\"150\" \/><\/p>\n<p style=\"text-align: justify;\">Born in 1964 in Baranavitchy in Bielor\u00fassia. Sergei Loznitsa \u00e9s mathematician i film director. His first feature film, My Joy, selected for competition at the 2010 Cannes Film Festival i el seu segon feature film, In the Mist, also selected at el 2012 Cannes Film Festival, received the FIPRESCI International Critics.<\/p>\n<p style=\"text-align: justify;\">El 2014, he allows us confronti Ukrainian revoluci\u00f3 amb la seva camera al centre de K\u00edev, Maidan.<\/p>\n<p style=\"text-align: justify;\"><strong><br \/>\n<\/strong><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"376\">\n<h1><strong>FESTIVALS &amp; AWARDS<\/strong><\/h1>\n<ul style=\"list-style-type: square;\">\n<li>Festival de Cannes: Secci\u00f3 Oficial -Fora de Concurs<\/li>\n<li>Festival de Sevilla: Les Noves Onades \u2013 No Ficci\u00f3<\/li>\n<li>Festival de Jerusalem: Secci\u00f3 Oficial<\/li>\n<li>Atl\u00e0ntida Film Fest: Secci\u00f3 (Anti)propaganda<\/li>\n<li>Astra Film Festival Romania: Millor Pel\u00b7l\u00edcula Documental<\/li>\n<\/ul>\n<p>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" width=\"581\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/122129424?title=0&amp;byline=0&amp;portrait=0\" width=\"1040\" height=\"585\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" width=\"581\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1765\" src=\"https:\/\/fundacionporlajusticia.org\/wp-content\/uploads\/2015\/10\/maidan3red-300x158.jpg\" alt=\"maidan3red\" width=\"317\" height=\"167\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1764\" src=\"https:\/\/fundacionporlajusticia.org\/wp-content\/uploads\/2015\/10\/maidan2red-300x158.jpg\" alt=\"maidan2red\" width=\"317\" height=\"167\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1763\" src=\"https:\/\/fundacionporlajusticia.org\/wp-content\/uploads\/2015\/10\/maidan1red-300x158.jpg\" alt=\"maidan1red\" width=\"317\" height=\"167\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>\u00a0 HISTORY \u00a0 Maidan is not a standard journalistic report about the civil riots in Kiev\u2019s Maidan square to overthrow pro-Russian President Viktor Yanukovych. Structured solely through extended fixed shots filmed over a period of three months, the film tracks the trajectory from peaceful poetry-filled protest to violent confrontation with formalist rigor. By placing the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1060,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-2617","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/fundacionporlajusticia.org\/va\/wp-json\/wp\/v2\/pages\/2617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacionporlajusticia.org\/va\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fundacionporlajusticia.org\/va\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fundacionporlajusticia.org\/va\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacionporlajusticia.org\/va\/wp-json\/wp\/v2\/comments?post=2617"}],"version-history":[{"count":5,"href":"https:\/\/fundacionporlajusticia.org\/va\/wp-json\/wp\/v2\/pages\/2617\/revisions"}],"predecessor-version":[{"id":3421,"href":"https:\/\/fundacionporlajusticia.org\/va\/wp-json\/wp\/v2\/pages\/2617\/revisions\/3421"}],"up":[{"embeddable":true,"href":"https:\/\/fundacionporlajusticia.org\/va\/wp-json\/wp\/v2\/pages\/1060"}],"wp:attachment":[{"href":"https:\/\/fundacionporlajusticia.org\/va\/wp-json\/wp\/v2\/media?parent=2617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}