{"id":7002,"date":"2023-05-02T10:48:54","date_gmt":"2023-05-02T10:48:54","guid":{"rendered":"https:\/\/fundacionporlajusticia.accesia.info\/?p=7002"},"modified":"2023-05-02T10:48:54","modified_gmt":"2023-05-02T10:48:54","slug":"el-festival-humans-fest-entrega-su-premio-honorifico-de-2023-a-la-directora-isabel-coixet","status":"publish","type":"post","link":"https:\/\/fundacionporlajusticia.org\/en\/el-festival-humans-fest-entrega-su-premio-honorifico-de-2023-a-la-directora-isabel-coixet\/","title":{"rendered":"Humans Fest presents its 2023 Honorary Award to director Isabel Coixet"},"content":{"rendered":"<h4><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7004\" src=\"https:\/\/fundacionporlajusticia.org\/wp-content\/uploads\/2023\/05\/Isabel_Coixet.jpg\" alt=\"Isabel Coixet Humans Fest\" width=\"1080\" height=\"720\" srcset=\"https:\/\/fundacionporlajusticia.org\/wp-content\/uploads\/2023\/05\/Isabel_Coixet.jpg 1080w, https:\/\/fundacionporlajusticia.org\/wp-content\/uploads\/2023\/05\/Isabel_Coixet-980x653.jpg 980w, https:\/\/fundacionporlajusticia.org\/wp-content\/uploads\/2023\/05\/Isabel_Coixet-480x320.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1080px, 100vw\" \/><\/h4>\n<h4 style=\"text-align: center;\"><span style=\"font-weight: 400;\">The filmmaker will inaugurate the 14th edition on June 1 and will offer a talk along with an \u201cauthor cycle,\u201d in which three feature films of her choice will be screened that respond to the theme of Humans Fest this year: the gender perspective in Defense of human rights<\/span><\/h4>\n<p><span style=\"font-weight: 400;\">The Valencia International Film and Human Rights Festival, <\/span><b>Humans Fest<\/b><span style=\"font-weight: 400;\">, organized by Fundaci\u00f3n por la Justicia, has announced its honorary award <\/span><i><span style=\"font-weight: 400;\">Peace and Justice<\/span><\/i><span style=\"font-weight: 400;\"> of 2023, which this year is awarded to the director <\/span><b>Isabel Coixet<\/b><span style=\"font-weight: 400;\"> to recognize a trajectory marked by working with <\/span><b>gender perspective<\/b><span style=\"font-weight: 400;\">, helping to deconstruct traditional female representation and masculinity in the audiovisual field.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Coixet will receive this award at the <\/span><b>opening <\/b><span style=\"font-weight: 400;\">of Humans Fest, which will be held next <\/span><b>June 1<\/b><span style=\"font-weight: 400;\"> in it <\/span><b>La Beneficencia Cultural Center<\/b><span style=\"font-weight: 400;\">. Likewise, the filmmaker will star in a colloquium on June 2, when her <\/span><b>\u201cauthor cycle\u201d<\/b><span style=\"font-weight: 400;\"> in <\/span><b>The Film Library of Valencia<\/b><span style=\"font-weight: 400;\">, where the film that changed his career will be shown, <\/span><i><span style=\"font-weight: 400;\">My life without me<\/span><\/i><span style=\"font-weight: 400;\">, regarding its 20th anniversary and its latest documentary, <\/span><i><span style=\"font-weight: 400;\">The yellow roof<\/span><\/i><span style=\"font-weight: 400;\">. In addition, other screenings of feature films chosen by herself will be held under the thematic axis of the festival in 2023. These are classic films that have inspired her gender perspective in cinema.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIn this country, audiovisual production continues to be a masculinized world, where only a third of professionals are women. But still, we have tremendous directors like Isabel Coixet, who has been breaking stereotypes in cinema for more than 30 years through female characters who fight for their freedom and autonomy. She is our most international director and she is also so thanks to her<\/span><b> feminist perspective<\/b><span style=\"font-weight: 400;\"> and his <\/span><b>social commitment<\/b><span style=\"font-weight: 400;\">\u201dsays Majo Siscar, director of the festival.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In this sense, Jos\u00e9 Mar\u00eda Tom\u00e1s y T\u00edo, president of Fundaci\u00f3n por la Justicia, points out that \u201cit is important to highlight figures like Isabel Coixet, who with her work contributes to the defense of human rights. This festival, one of the main activities that we promote at Fundaci\u00f3n por la Justicia, was born almost 15 years ago to, among other objectives, promote culture, with the intention of reaching a wide audience and in particular the most vulnerable people with special attention to the gender perspective and the diversity of the authors. This year we are also committed to inclusion, in collaboration with the ONCE Foundation.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">What&#039;s more: Isabel Coixet supports the projects of new directors from her production company Miss Wasabi Films, favoring the viability and visibility of works directed by women in cinema. According to the latest CIMA report, corresponding to 2021, \u201cwomen work with amounts that represent half the amounts that feature films that are directed by men work with\u201d and, likewise, \u201cthe frequency of recognition of the work of directors and screenwriters at festivals is 38 out of every 100 compared to a proportion of 13 out of every 100 obtained by their similar professional colleagues.\u201d<\/span><\/p>\n<p><b>ISABEL COIXET, COMMITTED AND PROLIFIC<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Isabel Coixet (Sant Adri\u00e0 del Bes\u00f3s, Barcelona, 1960) obtained her first nomination for the Goya Awards in 1988 with her debut film <\/span><i><span style=\"font-weight: 400;\">Too old to die young<\/span><\/i><span style=\"font-weight: 400;\">. Since then, his filmography includes numerous fiction feature films that have earned him recognition and praise both in Spain and in other countries.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This is the case of <\/span><i><span style=\"font-weight: 400;\">Things I never told you<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">To those who love<\/span><\/i><span style=\"font-weight: 400;\"> o <\/span><i><span style=\"font-weight: 400;\">My life without me <\/span><\/i><span style=\"font-weight: 400;\">(Goya for best adapted screenplay in 2004). Specific, <\/span><i><span style=\"font-weight: 400;\">Things I never told you<\/span><\/i><span style=\"font-weight: 400;\"> It was his first film shot in English, for which he had a cast of American performers led by Lili Taylor and Andrew McCarthy.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For its part, in <\/span><i><span style=\"font-weight: 400;\">My life without me<\/span><\/i><span style=\"font-weight: 400;\"> Canadian actress Sarah Polley plays a woman who discovers that she has terminal cancer and decides to make a list of things to do before she dies, preparing everything for when she is no longer there for her two daughters and her husband. This film, which this year celebrates the 20th anniversary of its release, represented its international leap.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">To them are added <\/span><i><span style=\"font-weight: 400;\">The secret Life of the words<\/span><\/i><span style=\"font-weight: 400;\"> (Goyas for best direction, film, original script and production direction in 2006 and Ariel for best Ibero-American film), <\/span><i><span style=\"font-weight: 400;\">Elegy<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Map of the sounds of Tokyo<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Yesterday never ends<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Another Me<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Learning to Drive<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Nobody wants the night<\/span><\/i><span style=\"font-weight: 400;\"> (Goya award for best original music, costumes, makeup and hair, and production direction), <\/span><i><span style=\"font-weight: 400;\">The bookstore<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Elisa and Marcela, <\/span><\/i><span style=\"font-weight: 400;\">about the wedding of two women in 1901, which is recorded as the first homosexual marriage recorded in the world, or its last fiction premiere <\/span><i><span style=\"font-weight: 400;\">It snows in Benidorm<\/span><\/i><span style=\"font-weight: 400;\">, filmed in that Valencian city.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Likewise, Coixet has also worked in the documentary genre with titles such as <\/span><i><span style=\"font-weight: 400;\">invisible<\/span><\/i><span style=\"font-weight: 400;\">, dedicated to the work of Doctors Without Borders, <\/span><i><span style=\"font-weight: 400;\">Journey to the heart of torture<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Listening to Judge Garz\u00f3n<\/span><\/i><span style=\"font-weight: 400;\"> o <\/span><i><span style=\"font-weight: 400;\">Spain in a Day<\/span><\/i><span style=\"font-weight: 400;\">, a project based on domestic images recorded by volunteers. At the end of 2014 he filmed the documentary in Chad <\/span><i><span style=\"font-weight: 400;\">Talking about Rose, prisoner of Hiss\u00e8ne Habr\u00e9<\/span><\/i><span style=\"font-weight: 400;\"> about the torture experience of a group of victims in their fight to bring their country&#039;s former dictator to justice.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This year she has once again been nominated for the Goya for <\/span><i><span style=\"font-weight: 400;\">The yellow roof<\/span><\/i><span style=\"font-weight: 400;\">, a documentary that addresses the sexual abuse suffered by a group of women during their adolescence at a theater school. In addition, on Netflix you can see his first fiction series, <\/span><i><span style=\"font-weight: 400;\">Foodie Love<\/span><\/i><span style=\"font-weight: 400;\">. Regarding recognitions, it is worth noting that in 2009 he received the Gold Medal for Merit in Fine Arts and in 2015, the Chevalier des Arts et des Lettres Medal from the French Ministry of Culture.<\/span><\/p>\n<p><b>HUMANS FEST, A FESTIVAL OF COMPLAINT AND REFLECTION<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Humans Fest will celebrate its 14th edition <\/span><b>from Thursday June 1 to Saturday June 10<\/b><span style=\"font-weight: 400;\">, ten days during which it will energize different spaces in the city with <\/span><b>projections <\/b><span style=\"font-weight: 400;\">y <\/span><b>colloquia <\/b><span style=\"font-weight: 400;\">that will focus on identifying and questioning discrimination, inequality and exclusion based on gender, as well as the actions that are undertaken anywhere in the world to change and advance the construction of equality. To this end, the festival will offer a selection of feature-length and short films, both fiction and documentaries.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Humans Fest is part of the international Human Rights Film Network. Its 14th edition is celebrated thanks to the collaboration of the Conselleria de Cooperaci\u00f3, Diputaci\u00f3 de Val\u00e8ncia, Ajuntament de Val\u00e8ncia, Institut Valenci\u00e0 de Cultura, Caixa Popular and Teika.<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>La cineasta inaugurar\u00e1 la XIV edici\u00f3n el 1 de junio y ofrecer\u00e1 una charla junto con un \u201cciclo de autora\u201d, en el que se proyectar\u00e1n tres largometrajes de su elecci\u00f3n que responden a la tem\u00e1tica de Humans Fest este a\u00f1o: la perspectiva de g\u00e9nero en la defensa de los derechos humanos El Festival Internacional de [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7004,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[122],"tags":[188,156,189,237,213],"class_list":["post-7002","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-humans-fest","tag-cine","tag-derechos-humanos","tag-humans-fest","tag-isabel-coixet","tag-perspectiva-de-genero"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/fundacionporlajusticia.org\/en\/wp-json\/wp\/v2\/posts\/7002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacionporlajusticia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fundacionporlajusticia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fundacionporlajusticia.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacionporlajusticia.org\/en\/wp-json\/wp\/v2\/comments?post=7002"}],"version-history":[{"count":2,"href":"https:\/\/fundacionporlajusticia.org\/en\/wp-json\/wp\/v2\/posts\/7002\/revisions"}],"predecessor-version":[{"id":7005,"href":"https:\/\/fundacionporlajusticia.org\/en\/wp-json\/wp\/v2\/posts\/7002\/revisions\/7005"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fundacionporlajusticia.org\/en\/wp-json\/wp\/v2\/media\/7004"}],"wp:attachment":[{"href":"https:\/\/fundacionporlajusticia.org\/en\/wp-json\/wp\/v2\/media?parent=7002"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundacionporlajusticia.org\/en\/wp-json\/wp\/v2\/categories?post=7002"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundacionporlajusticia.org\/en\/wp-json\/wp\/v2\/tags?post=7002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}