{"id":2617,"date":"2015-09-17T12:22:48","date_gmt":"2015-09-17T12:22:48","guid":{"rendered":"https:\/\/fundacionporlajusticia.accesia.info\/?page_id=1096"},"modified":"2022-03-21T16:04:01","modified_gmt":"2022-03-21T16:04:01","slug":"maidan","status":"publish","type":"page","link":"https:\/\/fundacionporlajusticia.org\/en\/humansfest2025\/2016-vii-edicion\/seccion-oficial-fuera-de-concurso\/maidan\/","title":{"rendered":"MAIDAN"},"content":{"rendered":"<table>\n<tbody>\n<tr>\n<td width=\"206\">\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1311 size-medium\" src=\"https:\/\/fundacionporlajusticia.org\/wp-content\/uploads\/2015\/09\/MAIDAN2-186x300.jpg\" alt=\"MAIDAN\" width=\"186\" height=\"300\" \/><\/td>\n<td width=\"376\">\n<h1><strong>HISTORY<\/strong><\/h1>\n<p><strong>\u00a0<\/strong><\/p>\n<p style=\"text-align: justify;\">Maidan is not a standard journalistic report about the civil riots in kyiv&#039;s Maidan square to overthrow pro-Russian President Viktor Yanukovych. Structured solely through extended fixed shots filmed over a period of three months, the film tracks the trajectory from peaceful poetry-filled protest to violent confrontation with formalist rigor. By placing the viewer in the middle of the masses without the guideposts of expert commentary or central personalities, Maidan provides an immersive experience and a bracing and timeless portrait of protest and revolution.<\/p>\n<p>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td rowspan=\"2\" width=\"206\">\n<h2><strong>Thursday, December 17th 6:00 p.m.<\/strong><\/h2>\n<h4><strong style=\"font-family: inherit; font-size: inherit; line-height: 1.5;\">Title: <\/strong><span style=\"font-family: inherit; font-size: inherit; line-height: 1.5;\">Maidan<\/span><\/h4>\n<h4><strong>128 min.<\/strong><\/h4>\n<h4><strong>Ukraine and Netherlands, 2014<\/strong><\/h4>\n<h4><strong>Languages:<\/strong><br \/>\nUkrainian<br \/>\nRussian<\/h4>\n<h4><strong>Director:<\/strong><\/h4>\n<h4>Sergei Loznitsa<\/h4>\n<h4><strong>Photography:<\/strong><\/h4>\n<h4>Sergei Loznitsa<\/h4>\n<h4>Serhiy Stetsenko<\/h4>\n<h4><strong>Camera:<\/strong><\/h4>\n<h4>Mykhailo Yelchev<\/h4>\n<h4><strong>Edition:<\/strong><\/h4>\n<h4>Sergei Loznitsa<\/h4>\n<h4>Danielius Kokanauskis<\/h4>\n<h4><strong>Sound:<\/strong><\/h4>\n<h4>Vladimir Golovnitsky<\/h4>\n<h4><strong>Co-production:<\/strong><\/h4>\n<h4>Atoms &amp; Void<\/h4>\n<\/td>\n<td width=\"376\">\n<h1><strong>DIRECTOR<\/strong><\/h1>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1851 size-thumbnail\" src=\"https:\/\/fundacionporlajusticia.org\/wp-content\/uploads\/2015\/09\/loznitsa-150x150.jpg\" alt=\"loznitsa\" width=\"150\" height=\"150\" \/><\/p>\n<p style=\"text-align: justify;\">Born in 1964 in Baranavichy in Belarus. Sergei Loznitsa is a mathematician and a film director. His first feature film, My Joy, was selected for competition at the 2010 Cannes Film Festival and his second feature film, In the Mist, also selected at the 2012 Cannes Film Festival, received the FIPRESCI International Critics.<\/p>\n<p style=\"text-align: justify;\">In 2014, he allows us to confront the Ukrainian revolution through his camera in the center of kyiv, Maidan.<\/p>\n<p style=\"text-align: justify;\"><strong><br \/>\n<\/strong><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"376\">\n<h1><strong>FESTIVALS &amp; AWARDS<\/strong><\/h1>\n<ul style=\"list-style-type: square;\">\n<li>Cannes Film Festival: Official Selection -Out of Competition<\/li>\n<li>Seville Festival: The New Waves \u2013 Non-Fiction<\/li>\n<li>Jerusalem Festival: Official Section<\/li>\n<li>Atl\u00e1ntida Film Fest: (Anti)propaganda Section<\/li>\n<li>Astra Film Festival Romania: Best Documentary Film<\/li>\n<\/ul>\n<p>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" width=\"581\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/122129424?title=0&amp;byline=0&amp;portrait=0\" width=\"1040\" height=\"585\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" width=\"581\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1765\" src=\"https:\/\/fundacionporlajusticia.org\/wp-content\/uploads\/2015\/10\/maidan3red-300x158.jpg\" alt=\"maidan3red\" width=\"317\" height=\"167\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1764\" src=\"https:\/\/fundacionporlajusticia.org\/wp-content\/uploads\/2015\/10\/maidan2red-300x158.jpg\" alt=\"maidan2red\" width=\"317\" height=\"167\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1763\" src=\"https:\/\/fundacionporlajusticia.org\/wp-content\/uploads\/2015\/10\/maidan1red-300x158.jpg\" alt=\"maidan1red\" width=\"317\" height=\"167\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>\u00a0 HISTORY \u00a0 Maidan is not a standard journalistic report about the civil riots in Kiev\u2019s Maidan square to overthrow pro-Russian President Viktor Yanukovych. Structured solely through extended fixed shots filmed over a period of three months, the film tracks the trajectory from peaceful poetry-filled protest to violent confrontation with formalist rigor. By placing the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1060,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-2617","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"HISTORY Maidan is not a standard journalistic report about the civil riots in Kiev\u2019s Maidan square to overthrow pro-Russian President Viktor Yanukovych. 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